Citation Paiks Virtual Archive Time Change and Materiality in Media Art Hanna B Hãƒâ¶lling
Virtually the Book
In Paik's Virtual Annal, Hanna B. Hölling contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how information technology functions within and beyond a specific historical moment. In Hölling'due south discussion of works past Nam June Paik (1932–2006), the hugely influential Korean American artist who is considered the progenitor of video art, she explores the relation between the artworks' concept and textile, theories of musical performance and performativity, and the Bergsonian concept of elapsing, likewise equally the parts these elements play in the conceptualization of multimedia artworks. Hölling combines her astute assessment of creative technologies with ideas from art theory, philosophy, and aesthetics to probe questions related to materials and materiality, not just in Paik'due south work but in contemporary art in general. Ultimately, she proposes that the archive—the physical and virtual realm that encompasses all that is known virtually an artwork—is the foundation for the identity and continuity of every piece of work of art.
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Reviews
""How exercise we care for the increasing number of artworks that challenge previously accepted notions of fourth dimension and space? Hanna Hölling's new book is an ambitious and clear-eyed attempt to provide an answer to that question, calling for a fundamental rethinking of curatorial and conservational notions of time and change in media artworks. . . . And yet, as Hölling makes clear, at that place is no going back when it comes to Paik. . . . Her combined museological and academic outlooks uniquely shapePaik's Virtual Annal, a book that volition probable get required reading in curatorial and preservation graduate programs, and which will also be of not bad involvement to scholars in the fields of modern and contemporary art and media studies."—The Art Bulletin
"Equally an Art Historian and Conservator, Hölling offers a deep and lucid meditation on ephemerality that is both theoretical and practical. . . . She draws from a range of European theorists to offer her postal service-structural view of the archive as a identify of potentials: 'divorcing the archive from its exclusive "pastness," ane might conceive of the museum archive every bit a identify where conservators and curators undertake the process of de – and re-activating artwork. . . . Hölling provides a compelling rationale for not dismissing attempts to re-imagine the artist's concept that makes sense for precarious digital works that may gain a new, dissimilar life separate from their original coded existence."—Visual Studies
"In a memorable opening to Paik's Virtual Archive: Time, Change, and Materiality in Media Fine art, conservator and scholar Hanna Hölling recounts how she received the devastating news that Canopus, a laserdisc video piece of work past Nam June Paik, had crashed downwards from a wall at her then-workplace. By taking this and other Paik "multimedia installations" equally the book'southward narrative thread– originally her PhD thesis–Hölling generously unpacks her theme: How does the identity of a multimedia artwork persist through every act of conservation, every replacement or renewal, every redisplay, and every re-interpretation, peculiarly given its inexorable textile decay along the way? . . . She hints at a radical hereafter where whatsoever difference between fine art and archive become more and more than equivocal in terms of authorship, curation, and preservation."—Journal of the American Institute for Conservation
"Hölling's explanations...show how the practice of media art is integrated into the institutional conventions on the one hand, and how it tin can cause an institutional structural change on the other. The study is characterized by the fact that it not simply describes the current change, but also makes theoretical suggestions in club to grasp the irresolute work identity of a multimedia installation between storage and presentation. Hölling's book also provides a fundamental access to the current debate within the contemporary restoration word, which has so far hardly been received in the German-speaking context. . . . Because, as Hölling shows convincingly, these works are constantly being reconstituted in the context of conservation practices and are accordingly incomplete."—Kunst Chronik
"The writer does not merely offer an analysis of the installations in the traditional context of conservation of works of art, that is to say in the conditions of ascertainment, measurement and analysis. Rather, it seeks to understand their conception in a regime of cultural, scientific and dynamic relationships. The book takes its originality from the museographic approach, which is cleaved down into iii parts: the first, "Concept and Materiality", where creative and performative media are mentioned; the second, "Time and Changeability", which deals with questions of fourth dimension and conservation; and the third, "Archive and Identity", where the concepts of the cloth and immaterial archive are advanced, with archival and museographic implications."—Critique d'art
"Starting with the wincing crash to the footing of ane of Paik'due south 'proto–new media' works, this book meticulously picks up the pieces, and wrestles the conceptual and the material challenges dorsum into shape. A spirited and useful analysis for ensuring a lively hereafter for media art. Incomparably un-dusty."—Beryl Graham, Professor of New Media Art, University of Sunderland
"This book makes an invaluable contribution to the field of preservation and media art history by using the works of Nam June Paik—ane of the pioneers and well-nigh of import figures of media fine art—to philosophically and practically rethink approaches to media fine art conservation. Hölling reconsiders concepts of the conservation object in low-cal of the emergence of digital media art, which has reframed our understanding of (im)materialities, time, alter, and the annal. In highly original ways, the book addresses how transformations of multimedia artworks over time affect their beliefs, their presentation and the ways in which audiences appoint with them. Hölling brings unique expertise to the field of study since she has not only thoroughly researched the history of Paik's oeuvre simply likewise actively participated in the conservation and curation of his work."—Christiane Paul, Adjunct Curator of Digital Fine art/Associate Professor, School of Media Studies, The New School
"Developing strategies to preserve and ensure access to electronically encoded information is one of the major challenges of our era—in art, and in the civilisation at large. Hanna Hölling's broad-ranging written report is essential reading for its insights regarding the ongoing interpretation and updating necessary to accost the affect of technological modify on Nam June Paik's work and for what this procedure tells usa about the inherent fragility of all aspects of the modern archive."—Martha Buskirk, Professor of Art History and Criticism, Montserrat College of Art
"It is wonderful to see a new generation of media and art historians offering a fresh view on this global artist. Hölling is one of the leading scholars helping us to empathize Nam June Paik's piece of work in the digital age."—Wulf Herzogenrath, art historian and curator
"Time is slowly erasing the work of unabridged generations of media artists from our potential art history. The loss is irreparable and urgent activeness is needed. Fortunately, Hanna Hölling'south excellent inquiry will guide us through this darkness!"—Rafael Lozano-Hemmer, media artist
"The restoration and the conservation of media art is one of the greatest challenges for the future of our civilization. Hanna B. Hölling'due south compelling book is one of the most important contributions to this subject."—Peter Weibel, Chairman and CEO ZKM Centre for Art and Media in Karlsruhe, Federal republic of germany, Professor at the University of Applied Arts, Vienna
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Table of Contents
List of Illustrations
Acknowledgments
Introduction: Revisiting the Object
Function I. CONCEPT AND MATERIALITY
ane. Ii Works
two. Conceptual and Material Aspects of Media Art
three. Musical Roots of Performed and Performative Media
Office 2. Time AND CHANGEABILITY
4. Zen for Film
five. Changeability and Multimedia Art
half dozen. Time and Conservation
vii. Heterotemporalities: Film Fourth dimension, Video Fourth dimension, and Paik Time
Part 3. Archive AND IDENTITY
8. The Material and the Immaterial Archive
ix. Archival Implications
Decision: The Many Archai of Conservation and Curation
Notes
Bibliography
Alphabetize
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Source: https://www.ucpress.edu/book/9780520288904/paiks-virtual-archive
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